You probably know who Eli Roth is even if you don’t think you do. He directed Cabin Fever (the good one), Hostel, and (the not good homage to Cannibal Holocaust) The Green Inferno. He’s also had acting roles in several movies, but aside from Inglourious Basterds they’re mostly cameos. A quick look at his IMDB page shows that he is not only a fan of horror, but knows a thing or two about it. You’ll also notice that while he only has 16 credits as a director he has 101 credits as himself (or at least it stuck out to me). It also gives me the idea that he’s a guy who likes to hear himself talk. Continue reading “Halloween 2018 – Eli Roth’s History of Horror”
SPOILER WARNING – THIS ARTICLE CONTAINS SPOILERS FOR THE NETFLIX SERIES THE HAUNTING OF HILL HOUSE
I have found that the best way to enjoy TV shows movies comic books everything is to avoid any mention of them on the internet.
Obviously as someone who writes about such things I don’t think that’s good advice for you, but I try to stick to it as much as I can for myself.
I went into The Haunting of Hill House with very little knowledge of this particular adaptation. I think I read Shirley Jackson’s novel when I was in high school, though I don’t remember it well. I’ve seen both the 1963 and 1999 film adaptations. They’re very different and I enjoy them for different reasons, but the older one is the superior film.
If I’m being honest, my main reasons for being excited about and watching this series are Mike Flanagan and Carla Gugino.
I’ve been a fan of Gugino ever since seeing her in Son in Law, though she really became one of my genre favorites in the Cinemax film, She-Creature (I could write a whole other post about those weirdo AIP re-imaginings and the related action figure line). After that she became a regular fixture in films like Sin City, The Unborn, watchmen and Sucker Punch (which I still have unresolved feelings about).
As for Flanagan, he did two things that impressed the heck out of me – he created an excellent sequel to a shitty movie with Ouija: Origin of Evil, and he successfully adapted a Stephen King novel. And not just any novel, but Gerald’s Game, one that is basically a single protagonist tied to a bed for days straight. Obviously if you’re going to tie someone to a bed, you’re gonna want Carla Gugino.
But in all seriousness, those two working together produced absolute cinematic magic, and I was up for more of the same, especially with a longer format and a larger cast to interact with.
Did the show deliver on the promise implicit from Flanagan’s past, smaller scale projects? Read on. Continue reading “Halloween 2018 TV Review – 14 Thoughts About The Haunting of Hill House”